![]() Kit Kat girls perform Two Ladies with Emcee. Over-sized and prohibited items are unable to be stored at the theatre. Cliff sits at his typewriter and Sally looks on in Ventura Colleges production of Cabaret, 2020. An exception will be made for medically necessary items. Patrons with over-sized or prohibited items will be asked to return them to their vehicles or discard them. Object Description Associated Characters, Emcee (Cabaret) Associated Shows/Plays, Cabaret Gender, Male Size (Bust/Chest), 36 Size (Waist), 28. Only bags smaller than 12" x 6" x 12" will be permitted inside. His eyebrows are coated in mascara, his face is painted white, he wears vibrant red lipstick and has overly rosy cheeks. Cliff, a young American writer newly arrived in Berlin, is immediately taken with English singer Sally Bowles. The emcee wears a large amount of make-up to accentuate his facial features. With the Emcee’s bawdy songs as wry commentary, Cabaret explores the dark, heady, and tumultuous life of Berlin’s natives and expatriates as Germany slowly yields to the emerging Third Reich. No backpacks, laptops, or briefcases are permitted inside CRT theatres. The characters hair and make-up is also of relevance, and often it too changes with their costumes. *Appears courtesy of Actor's Equity Association will justify the casting: Shirtless Eddie Redmayne defends playing sexually ambiguous Cabaret character Emcee as he poses in costume for Vogue shoot. ![]() Running Time: 2 hours and 15 minutes including intermissionįraulein Kost/Kit Kat Girl / Leslie Blake WalkerĬustoms Official/Herman/Max/Mal Ensemble / Jamie Colburn Join CRT in the legendary Kit Kat Klub, for this smart, sexy musical featuring the enduring songs “Cabaret”, “Maybe This Time” and “Don’t Tell Mamma.”īased on the play by Jahn Van Druten and Stories by Christopher Isherwood As powerful today, as when it opened on Broadway and garnered 8 Tony Awards, including Best Musical. With the Emcee’s bawdy songs as wry commentary, CABARET explores the dark, heady and tumultuous life of Berlin’s natives and expatriates as Germany slowly yields to the emerging Third Reich. James Dreyfus’s Emcee continued the sexualised Emcee and, following Godley, Michael Hayden was a now standard bisexual Cliff. Maxwell Martin’s Sally was a confused, even deluded home counties girly. A young American writer, Cliff Bradshaw, tentatively begins a torrid romance with the English lounge singer, Sally Bowles. And in a puritanical twist, the decadence of the Kit Kat cabaret club was seen as complicit in the rise of the Nazis, rather than a casualty of it. Willkommen to Cabaret! In a Berlin nightclub, as the 1920’s draw to a close, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the CABARET. ![]() CABARET, part of the Nutmeg Summer Series presented by Connecticut Repertory Theatre
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